Unconnected Yet

Rosanne Walsh (New York, USA) Jesus Anoints The Beanstalk, 2022 collage with watercolor 18 x 12 inches Stories from Roman Catholic Mass are versions of the many metaphoric translations that have been clung to, fought over, and died for throughout history. We can love our …

Maïté Jane (Belgium) Common Ground, 2021 cyanotype, paper 8.5 x 5.5 inches In the Common Ground series, I played with the human connection. How can people connect on a physical and emotional level? How can they understand each other without words? How can they see …

Fran Forman (Massachusetts, USA) Charting the Course, 2012 digital collage 19 x 24 inches My images blur the boundaries between the real and the unreal. They are visual narratives that evoke a sense of transience, longing, memory, and dislocation. In merging photography with painting and …

Malcolm Lizzappi (Maryland, USA) Danyele in Paris, 2022 large format black and white film photo, 100% Alpha Cellulose 44 x 66 inches Liberation is possible when no one epistemology reigns completely. My work began as an interest in the leftovers of Atlantic epistemologies of Blackness. …

Jo Fobbs (California, USA) harlem re:naissance, 2021 collage, glue stick, inkjet paper 16 x 20 inches Harlem Renaissance is part of a series I created to recognize the impactful contributions of Black queer activists, artists, and performers, many of whom were queer. The underlying theme …

Andrea Burgay (New York, USA) Nothing’s Ever Lost (Turn The Page), 2018 collage 30 x 44 inches The works in the Requiems series reconstruct places and experiences through the lens of memory, emotion, and imagination. Referencing the inevitability of the passage of time, they allude …

John C. Fields (New York, USA) NAMCHE BAZAAr, 2022 décollage 14 x 9 inches NAMCHE BAZAAr is an abstract collage of the valley below the Himalayas, raising issues of the artist’s fear of climbing Mt Everest and how art can bridge known limits through imagination. …

Isobel Elliott (London, United Kingdom) I Can See Right Through You, 2019 collage, acetate, thread 9 x 9 inches Many believe science and art to be two very different entities, but really they stem from the same curious mind. Both seek to explore the world …

Chrys Zantis (Queensland, Australia) Headdress 80/20, 2019 EEG (electroencephalography) cap, cardboard, acrylic, Copic markers, varnish, yarn, sequins, pearls, wire, plastic tubing, bike helmet, cotton, battery, fairy lights. 18 x 9 x 12 inches Headdress 80/20 is a fusion of art and neuroscience, born from my …

Ian Tothill (Bradford, United Kingdom) The Conscience of the Rich, 2021 collage 11.75 x 11.75 inches When I found the book title, I imagined what the conscience of the rich might look like and envisaged a very large black hole to represent my belief that …