Genine Larin

Genine Larin (Queensland, Australia) Empathic Gestures, 2023 screen capture, Miro mind map 10.8 x 7.6 inches Theme: The desire to explore the inner space between unconnected cognitive, affective, and somatic aspects of being and find links between them. I like to observe the somatic, affective, 

Seda Saar

Seda Saar (California, USA) Avata AI, 2018 source-manipulated images of code screenshots, digital painting, acrylic, ink, acrylic markers, metallic markers, archival print, canvas 30 x 40 x 2 inches I use shapes, lines, and colors as three-dimensional elements, like layers, in order to communicate. My 

Daniela Esponda

Daniela Esponda 963 Hz The Resilience of God’s Echo, 2022 digital Chladni plate frequencies simulation 24 X 24 inches Many times, we say, “science does not believe in god.” My intention is to connect science, and the belief in a divine source like God in 

Ray Ogar

Ray Ogar (Arkansas, USA) Oneironautic Harvester Somnu, 2021 digital edit of handmade collage from cut paper, found images, personal illustrations 18 x 12 inches Exo-scale device to harvest oneironautic fluid (dream ocean), with graphs, images, objects, devices, and landscapes pertaining to the Zero Landmass Institute. 

Cheryl Chudyk

Cheryl Chudyk (Washington, USA) From Methane to Urea for Cattle Feed and More, 2022 digital collage 19 x 23.75 inches India has over 300 million cows, and these cattle, as well as goats and other ruminant animals, produce over 13 tonnes of methane yearly. Methane 

David Wlazlo

David Wlazlo (Victoria, Australia) Overnight, 2023 oil, plywood 9 x 12 x 2.5 inches In the early twentieth-century, art historian Heinrich Wölfflin pioneered the use of comparison: two images, presented side by side, revealed their differences and similarities. In the 1920s, film director Sergei Eisenstein 

Liz Blum

Liz Blum (Massachusetts, USA) Space Junk, 2022 digital collage 13.5 x 24 inches Our knowledge and information of the world get filtered through layers of distraction, and our visual periphery is directed through screen interface frames, isolated parts guiding us toward networks and webs of 

Beverly West Leach

Beverly West Leach, (Alabama, USA) We Need To Be Taught, 2021 collage, substrate copy from page of a 1949 world atlas, found images, Elmer’s glue, colored paper, gel pen 12.5 x 9.25 inches The starting point is my musings on our place in the universe 

Manuel Salgado

Manuel Salgado (Mexico) Universal Territory, 2020 collage 18.5 x 18.5 inches Universal Territory was created during COVID-19 lockdown, a time when the entire world was isolated and people were afraid of each other. I started to imagine a universal territory, a world with no borders, 

Claudine Metrick

Claudine Metrick (New York, USA) The First Spring, 2021 silkscreen, Kitakata paper, colored pencil, Dura-Lar, monofilament, split shot 75 x 70 x 24 inches The First Spring consists of a silkscreen field of beech and maple leaves over which is suspended brightly colored Mourning Cloak