Meaghan Shelton (Victoria, Australia) Tail, 2021 collage, cyanotype, discarded paper offcuts, embroidery thread, watercolor, pigmented ink, gouache 29.5 x 23.625 inches Tail draws on the evocation of memory within domestic spaces and considers how women artists use materials and methods of craft practices to connect …
Sara Baker Michalak (New York, USA) Letters Looking For a Language, 2022 decollage, paper, acrylic, panel 8 x 8 inches Human imagination is fired by our experiencing the mysteries: the incomplete, the unfirm, the perennially fluid. Exquisitely alive, relentlessly wanting, and hungry, we craft to …
Nina Fraser (Lisbon, Portugal) Circle Series #1, 2020 collage 13.75 x 13.75 inches By exploring the external — an obsessive fragmentation of multiple perspectives drawn from the visual culture surrounding us — I am simultaneously looking inward, drawing references from diverse philosophical sources and spiritual …
Vaidehi Reddy (New Mexico, USA) Kalighat, 2021 gold leaf, watercolor, gouache, paper 11.75 x 16.5 Inches My work illuminates the migrant consciousness through my personal experiences as an Indian Émigré in the United States. Dismantling and challenging the otherness of the East done by years …
Phoenix Lacey (Colorado, USA) Bridging the Four Directions, 2022 uncollage, photography, paint, charcoal 24 x 19 inches Juxtaposing flora & fauna, the human & nonhuman, this piece depicts the root network of elements and spirit — bridging our bodily experience with the body of Earth. …
Todd Bartel (Massachusetts, USA) Glorious Mutualism, Asymmetrical Yet Reciprocal — Twenty-first Century Commensalism (A Call for A Massive Transfusion for Major Arboreal Trauma), [Landscape Vernacular 14], 2020 burnished interlocking collage; recto: xerographic prints on 19th- and 20th-century end-pages (left: How a Tree is Made into …
Sasha Samuels (California, USA) Fire Study #1, 2020 oil, canvas 7 x 10 inches Having survived the CZU Lightning Complex wildfire of 2020, on the heels of leaving an abusive relationship, I turned to my art practice to process my compounded trauma. What is on …
Maica Gugolati (Italy, Trinidad and Tobago) Cazabon Now, 2019 digital collage 9.25 x 12.5 inches This work uses imagination as a way to question visuality connected to the act of living in extractive postcolonial spaces. Landscape etymologically means “to shape the land”; this project relates …
Karen Milder (Queensland, Australia) Pixel Panel II, 2023 digital photo montage 10.237 x 29.527 inches The selected digital images came from personal photographic files spanning from the last eighteen months, then those digital images entered Photoshop, and post-production commenced with parts of the selected digital …
Anna Fine Foer (Maryland, USA) Phylogenic Entanglement, 2022 collage, watercolor 30 x 22 inches With more accurate observational techniques available to scientists, more discoveries demonstrate how biological and physical states of being are less delineated and more entangled than previously hypothesized. For example, physicists tell …