Nancy Goodman Lawrence (California, USA) How’s Your Summer Going So Far? 2022 acrylic, collage, canvas 20 x 20 inches My work features a series of shapes that float on the surface. Some of the shapes are invented; others are creatures or plants that become fantastical …
Tammie Dupuis (Washington, USA) This Is How I Got Here, 2022 assemblage, resin, hair, thread, wood 62 x 28 inches This work speaks specifically to my place within my Native American family and community. Seven generations are represented using eight different cast faces, which are …
Kim Triedman (Massachusetts, USA) Look At Me Now, 2021 collage, paper, glue, wood panel 20 x 16 inches The ability to see women as whole beings is a continuing challenge in American society. Historically women have been viewed as sexual objects, fetishized and objectified for …
Ben DiNino (Minnesota, USA) The Sky Is Filled With Precipitation Yet The Glass Is Not Half Anything, 2022 collage, cardstock 8 x 11 inches At first consideration, The Sky Is Filled With Precipitation Yet The Glass Is Not Half Anything might lean toward the negative …
graphite, color pencil, watercolor pencil, pen on paper, compiled into digital collage
18 x 24 inches
Amazonia is a compilation of original graphite, color pencil, and watercolor color pencil sketches. The drawings were done while in the field and research station on the Tiputini River in the Ecuadorian Amazon. The final work is a digital collage of all drawings. Amazonia marks the culmination of 14 days spent in the Ecuadorian Amazon, exploring both human and nonhuman communication, colors, forms, light, shadow, and the relationships weaving them together. Art is a universal language, and so, too, is the natural world. Amazonia reflects a journey of connecting to the Amazon rainforest. While not being a local, through art, empathy, and sensitivity, I was able to read and listen to the forest, the culture, the animals, the birds, and the sky.
Natasha Narain (India and Australia) Kantha Drawing for Ma, 2019 collage, ink, pastel, acrylic, unstretched canvas 35 x 70 inches Medical imagery of the inside of bodies combines with botanical, symbolic, and free-form drawings to form patterns in my works. I believe anatomical imagery has …
Gregory Scheckler (Massachusetts, USA) Bridges/Networks 1, 2021 inkjet pigments, carbon ink, acrylic, reflective pigments, graphite, paper 8 x 10 inches Bridges/Networks 1 is a mixed media diptych on altered digital prints of flame fractal patterns that have been reinforced and revised with gestures inspired by …
pen, ink, paper
10 x 17 inches
This composition is derived from my consistently fierce efforts to preserve my individuality in an almost dystopian world. These imaginary creatures represent a scenario where idolized innocence is being protected like a child from the erosions of society. My struggles with the actual world and my ventures in these fictional alleys cross paths with my spiritual comprehension.
Somenath Maity (Kolkata, India) Structure, 2023 oil, canvas 50 x 60 inches When the day turns dark, and the city lights turn on, it all seems like a fairy tale to me, where a young prince runs on a quest to awaken all the fireflies …
