Month: January 2023

Doriana Diaz

Doriana Diaz (Pennsylvania, USA) Dancing Hands, 2022 collage 12 x 9.5 inches My work focuses on the exploration of cultural agency, archival documentation, and the rhythms of resistance. I hope to harness and uplift not only our glory, but our alchemy, our celebration of community, 

Morphic Rooms

Morphic Rooms (Minneapolis, MN, and Boston, MA, USA) Clifton (Ruby), 2022 collaborative collage made with paper and digital elements, digitally arranged 24 x 24 inches We were interested in using collage — and the unexpected junctions it commonly reveals — to create connections across scientific 

Ehiko Odeh

Ehiko Odeh (Toronto, Ontario)

Lightbeaming, 2022

collage on printmaking paper

22 x 30 inches

Following the loss of a close friend to an extreme circumstance. Lightbeaming symbolizes both the ascension into the afterlife and the light & inspiration he gave to any communities he influenced. The circular composition highlights the cyclical nature of life and death that rebirths us all.

UY – Kolkata

Dejion Duncan

Dejion Duncan (Texas, USA) Boo’d Up, 2020 analog collage and digital collage 11 x 8.5 inches Transcending love. Not only are people not monochromatic, but also love isn’t. UY – Kolkata

allison anne

allison anne (Minnesota, USA) A Device to Separate Vapors, 2022 hand-cut paper collage, recycled paperboard 8.5 x 5.5 inches My work is a constantly evolving exploration of experience and emotion through the reconstitution and rearranging of various printed media and ephemera. It is a broader 

Noreen Smith

Noreen Smith (Maryland, USA)

Angry or Assertive? May the Bridges I Burn Light the Way, 2020

collage, paper

21.5 x 19 inches

Building a bridge of understanding the black/brown female experience relative to their white female counterparts when living out their feminine freedoms and truths and connecting viewers to the innate power found in womanhood and the divine feminine, inclusive of those seldom celebrated complexities and nuances of female existence over time and various life occurrences.

UY – Kolkata

Leanne Russell

Leanne Russell (The Bahamas) A Feeling of Relief, 2021 digital collage 22 x 33 inches Overlapping archival images of my home, Abaco, The Bahamas, with present-day images, brings light to the untold histories of these spaces; It has taught me to consider the sacred aspect 

Caroline Austin

Caroline Austin (Rockhampton, Australia) List for Apocalypse, 2023 [Infinity of Lists Series] Dibond 18 x 24 inches 18 x 9 x 12 inches The list acts as the origin of culture.  It is part of the history of art and literature.  What does culture want? 

David Perrin

David Perrin (New York, USA)

Days of Future Past, 2021

digital collage

25 x 25 inches

Always Forward is an ode to the mantra that I’ve adopted and adapted over the years. Each step is always encouraging the next step forward. This piece represents the fusion between African ancestral roots and the technological advances of the future.

UY – Kolkata

Markus Haala

Markus Haala (New York, USA) King of Tyres [Landfill], 2021 3D print in PLA and ABS Filament, glass dome 8.5 x 6 x 6 inches King of Tyres [Landfill] depicts an everyday scenario of a world impacted by destructive, advanced technologies and climate catastrophes as